Folks - don't miss out on this.
This pedal brings so much. The demo is superb, but the pedal can get very agressive if you want that, too.
Drive 1 and 2 are outstanding for lofi textures and clang gang stuff. At this point the filter is more like an eq, and all the settings are fairly cutting and bass-light. Good thing that Damp switch is there to give the high frequencies a shave and a haircut.
Starting with Drive 3 you get a lot more bass flooding the gain stages, so things get fuzzy fast, and that filter! It really starts to shine here - getting more into cocked wah and synthy zones - very chewy. Plus, starting with Drive 3, pushing the gain up to the higher levels pushes the filter into *very* cool oscillation. Also also, while the oscillation can get plenty crazy, it's also much easier to get a stable, controllable pitch set up to play against than with your typical over-gained oscillatin' fuzz (not that's there's anything wrong with that, amirite?).
I totally get why expression control of the filter sweep would be on the wishlist of a savant like Chank, and I'd love to see something like that in an expanded v.2 if LaoWiz evers wants to do something like that
( psst

), but the oscillation is also a cool feature blended in with a "clean" signal in something like a Klein Bottle, or a simpler parallel looper such as made by EHX or Dwarfcraft - it gets to be more about texture and less about pitch, if you catch my drift. So much so, that, if I were to, say, seek out a custom custom down the line, I'd be looking at a clean blend option

(but even better would be a dirty-clean like on the Gnomeratron). Things are starting to get real complicated there, though, so I can see that it might get to the point of a build nightmare, but the point is - the potential is there for so! much! tone! when you toss this thing in a blender.
Other thoughtful touches abound. The crossover switch introduces some cool gnarly grit to the lower gain Drive 1 and 2 settings, but in the higher gain settings it can create jawesome autowah effects, or bring interesting focus to the filter's oscillation, sometimes even tightening that up and bringing it more under control. And the 68/10 (typo here - maybe should read "69" ?) switch is an input bass selector, and really helps tweak in the exact imploding galaxy foley fx you're reaching for in the Cyst modes.
I will probably come back and write some more, just because this pedal is that way, and I am continually finding new WTF

moments, which in this fucked up world is just what at least 3 more ILFers need.
Thanks LaoWiz!!!

"In a moment of unparalleled genius, Noel Parachute headed off this potential disaster by unplugging the microphone."