Companda wrote:Did you get them fingas durrty? Ooooohhhh.![]()
I don't wanna walk around smelling like "cooling sensation" KY jelly, is all.
Moderator: Ghost Hip
Companda wrote:Did you get them fingas durrty? Ooooohhhh.![]()
Tigerbass wrote:John Entwistle would have never reinvented electric bass as we know it if not for Jaco. Also if you look real closely at his Buzzard bass, he actually has 2 bridge pu's in it.
McSpunckle wrote:Tigerbass wrote:John Entwistle would have never reinvented electric bass as we know it if not for Jaco. Also if you look real closely at his Buzzard bass, he actually has 2 bridge pu's in it.
Seriously, though, have any of you guys ever used those Optima Gold strings the guy uses?
I have. Found them on sale. They are fucking weird. You can detune a standard set to fucking B-- even A, but that's pushing it), and they sound cool as hell.
I think they've gotten to like 90 bucks a set now.
I just use SITs now, though.
McSpunckle wrote:I was using my fingers earlier, and found a great ring moduator tone.
nad wrote:McSpunckle wrote:I was using my fingers earlier, and found a great ring moduator tone.
Okay I know this is a joke, but THERE WAS A THREAD LIKE THIS. The dude claimed he changed his strings and now it sounded like a ring modulator if he struck them a certain way.
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I thought my face was going to explode, but that's the day I realized that the internet was dumb, and certainly not to be taken seriously, so I should actually thank the dude.
EDIT: http://www.talkbass.com/forum/showthread.php?t=568397 WTFuzz
aen wrote:Or I'll just use fuzz. Then Ill sound cool regardless.
Achtane wrote:Well, volcanoes are pretty fuckin' cool. Like I guess lava flows are doomy. Slow and still able to to melt your eardrums.
Derelict78 wrote:Dude just didnt know what a ring mod is. he was getting harmonics. This is really cool.
http://en.wikipedia.org/wiki/3rd_Bridge
THEBEERHAMMER wrote:BRO IS THIS EVEN KUSH??? IS BUFFERED? TRV BYPASS??? MY FRIEND DAMBLEDORE TOLD ME I NEEDED CRYSTAL LETTUICE.Achtane wrote:Doom Weed, duh.
Doom seed is like...what you get when wizards jerk it.
Doom Weed produces Doom Seed.
sonidero wrote:Roll a plus 13 for fire and with my immunity to wack I dodge the cough and pass a turn to chill and look at these rocks...
kbithecrowing wrote:Making out with my girl friday night, I couldn't stop thinking about flangers.
Achtane wrote:I can hit it with a Blowing Up and it'll just sound awesome instead of like capacitors farting into each others' dicks.
Achtane wrote:srsly?last.fm wrote:Zs makes music that is variously categorized as no-wave, post-jazz, brutal-chamber, brutal-prog, and post minimalist.
Fuck you.
bigchiefbc wrote:That plangentmusic dude really pissed me off
Lets see if my rant gets me suspended or not
bigchiefbc wrote:plangentmusic wrote:I went though my "effects" phase. Now I just use compression (which really isn't an "effect") and chorus -- and I almost never use the chorus.
The reason being -- ALL effects cause a loss of purity of the initial bass tone. You may think you're standing out, but unless you're really load, you're actually more LOST within the blend of the music because there's essentially more noise and less pure signal.
I think the attraction to effects is hearing a fresh sound on the instrument -- but in time, it grows old. And I can say from experience, almost NO ONE in the and wants to hear it. They need a bassplayer.
When recording I occasionally use an effect, but it's within the studio equipment. No one expects you to use pedals or rack mounted stuff in the studio.
So, in short, effects are almost useless in the real world. But if ya like 'em, ya like 'em! So why not.
Of course that's just my opinion, I could be wrong.
Oh here we go again ... "I've been playing bass for 497 years, so I like to make ridiculously broad generalizations and tell you that everything you guys are doing is useless and would never fly in the REAL WORLD" (as if you are the authority on what the real world is)
Grow up. And open your mind. If you're gonna keep it closed, and then do the same with your opinions.
My band's music would suffer incredibly if I didn't use effects. It would change everything we do.
Eric! wrote:bigchiefbc wrote:plangentmusic wrote:I went though my "effects" phase. Now I just use compression (which really isn't an "effect") and chorus -- and I almost never use the chorus.
The reason being -- ALL effects cause a loss of purity of the initial bass tone. You may think you're standing out, but unless you're really load, you're actually more LOST within the blend of the music because there's essentially more noise and less pure signal.
I think the attraction to effects is hearing a fresh sound on the instrument -- but in time, it grows old. And I can say from experience, almost NO ONE in the and wants to hear it. They need a bassplayer.
When recording I occasionally use an effect, but it's within the studio equipment. No one expects you to use pedals or rack mounted stuff in the studio.
So, in short, effects are almost useless in the real world. But if ya like 'em, ya like 'em! So why not.
Of course that's just my opinion, I could be wrong.
Oh here we go again ... "I've been playing bass for 497 years, so I like to make ridiculously broad generalizations and tell you that everything you guys are doing is useless and would never fly in the REAL WORLD" (as if you are the authority on what the real world is)
Grow up. And open your mind. If you're gonna keep it closed, and then do the same with your opinions.
My band's music would suffer incredibly if I didn't use effects. It would change everything we do.
Got it, just in case it gets deleted :D