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samzadgan wrote:It plays & sounds amaze-balls!!

The body is three peice ash with a thick, and I mean thick, maple cap...and it is bloody heavy! The neck is three peice maple with an ebony board and pearl dot inlays...the bridge has a brass block...and the whole thing is put together with such great percision and craftsmenship! Did I say its heavy?? fuckin heavy. The tone, well, when I played it at the guys house it was really really bright. He had a set on 9's on it and tuned to E, and playing it through is Jet City with treble and presence all the way off and bass & mids all the way up it was still really bright - not ear piercing, but a nice bright.

I got it home, put a set of 13-59 strings on it, tuned it to B...no need to change the set up, its perfect...just had to cut the nut a little for the low string...and with my strings and tuning, it sounded amazing. The brightness was still there in the clarity and ring of the notes, but still had a lot of low end with out mudd...for the first time, I dont feel like i need to change anything!

whiskey_face wrote:Dat ibanez hnnng

Have you ever seen the solid brass one that was made for namm in the 70s?

louderthangod wrote:This has probably been brought up before but does anyone know how the guy in The Body gets that much depth out of his guitar? I've seen them live and I know he uses the Ampeg bass stacks but there's got to be some sort of subharmonic synth...I didn't see one and I didn't even see a POG or any other octave pedal which still probably wouldn't give you that sort of extreme depth.