At that price point everyone is better off finding something else to use

But, I feel compelled to point out that for me, trimming live samples is a pain in the ass compared to doing it on a computer

Moderator: Ghost Hip
That's fair. Different strokes!01010111 wrote:I mean, I don’t really want to have to load samples from a PC at all. The fact that it can only be loaded from a pc isn’t a good thing, but given its other features and price it could be overlooked. So, where I have to add the additional complexity of using their proprietary program, that tilts the scale enough.coldbrightsunlight wrote:I get that we all have different opinions on things and fair enough if that's your red line. But this seems like an odd line to draw for me. Backwards compatibility of most things is pretty good these days, we're far from the old nightmare days and it definitely isn't something I worry about.01010111 wrote:mcatano wrote:The model:samples checks most of these boxes and is a super fun, intuitive box. I don't think the lack of in-the-box sample recording is a very big deal, but maybe that's a dealbreaker for you.01010111 wrote: -something fun to use
-ability to sample material directly
-can play samples melodically
-can play samples as percussion
-battery power preferred
-No PC, or phone, required to use its basic functions
After some digging I found out that it requires Elektron’s proprietary software to load samples. That is a dealbreaker. If it was just drag and drop I could live with that, maybe. Proprietary software’s a dealbreaker, I don’t want to fuck with backwards compatibility in ten years or rely on Elektron to keep releasing updated versions of their software. It’s also weird that it doesn’t have an envelope generator?
I just looked up the manual about the envelope thing. Looks like you can always control the decay (not having attack on front panel is weird I agree with you on that). But you can also use the LFO as an envelope - bit of a workaround but it does exist.
As someone who switches to linux roughly every other year, compatibility’s always an issue... Usually the switch is because I get sick of Windows not letting me change things, and the switch back is normally because of compatibility issues (also using linux seems like it’s its own hobby).
Oh yea I just thought it hit all the requirements in your first post ... It’s you know set up to be a drum machine, phrase sampler , you can also play any sample melodically using the “12 levels” its nice01010111 wrote:But why, though? What’s good about the MPC workflow or makes it better than other things that are available?
I also had one of these for about a month ten years ago and found it too confusing to use (I have changed significantly since then, so, it might be a good option now).
Cydonia wrote: Too bad no one here is interested in talking about "gear"
BossMann73 wrote:I didn't insult it......I "curated" a "different aesthetic.".
Soundcloud: https://soundcloud.com/sharkmovieappriciatorJohn wrote:I love how this forum has the GDP of Switzerland in pedals but the collective value of everyone's patch cables is less than the change in my couch cushions. And I don't have a couch.
manymanyhaha wrote:I'm using a 1010 Blackbox for a specific purpose (playing samples I create on a computer). It's compact and very easy to use. Simple interface.
I haven't used any of the other aforementioned boxes so can't compare.
I used to have a lot of fun playing a pair of Peavy SP samplers with an Akai S1200 (I think that was the model number) and the thing that surprises me about the 1010 Blackbox is how simple and easy it is. Those old samplers took a lot of work to get to the point where noise was made and this little thing is so fast.D.o.S. wrote:
This looks really cool! Any more thoughts on it?
Octatrack.Best Standalone Sampler in 2020
!Octatrack.-something fun to use
-battery power preferred
The issue that I have with most of this is that they’re highly unintuitive and most of them have extremely steep learning curves. It seems like samplers are stuck in the menu-diving 90’s while the rest of the music industry has moved slowly away from that kind of thing? Am I missing something? Is this a situation where I have to learn to live with the reality of the un-fun interface in order to play with music like this?
John wrote:"guys play quiet, listen to my small costly device."
PumpkinPieces wrote:Fer shoogaze
tuffteef wrote:all you need is a big muff and feelings
I think you’re probably right... There’s a Teenage Engineering dealer in the city where I live. So, I’m going to go try and play with one before making a decision. The price makes me really hesitant. On paper it really isn’t better than any of the other options on this list, even though it’s nearly twice as expensive. (One of the biggest things I’m excited about doing with this new piece of gear is playing around with recording stuff irl. I really don’t want to worry about bringing a computer into this, or I would be interested in the Modal Samples.)D.o.S. wrote:Sounds like you want an OP-1 my dude ( still think you secretly want a Samples but since you've listed dealbreakers I will just say things in parentheticals to that effect rather than trying to convince you otherwise)