ilovefuzz.com

Uncle Grandfather wrote:

Vuvuzela wrote:really simple, sorry for shitty pic.

i didn't your pic? but it appears that you have put together a smart board. congrats! but can't see the pic
also don't worry about quality of your photo, just look at one of mine and you'll feel better about your pics.
also where did it go your picture?

I'm also wondering what happened to the pic.

Also DUDE, GHOST!

kbithecrowing wrote:I forgot how gnarly mini->kkf sounds. Mmmph.
Using the DD7 primarily for reverse delay.

Great board!

fungalattack wrote:Dooming it up.
Mudhoney status.

hey dude!

kbithecrowing wrote:I forgot how gnarly mini->kkf sounds. Mmmph.
Using the DD7 primarily for reverse delay.

Vuvuzela wrote:


really simple, sorry for shitty pic.

from right to left, boss tu3, fulltone OCD, EQD sound shank, EQD the depths, EQD dispatch master.
however the sound shank gets swapped with a BAT Pharaoh or BAT destroyer.

powered by a volto and it sounds great. either with my strat into my twin reverb or my ltd c-1000 in my marshalls.
not as badass as most of everyone elses' boards in here, but still!


edited; pic back up!

I love EQD stuff but OHMYGODTHELEDSARESOFUCKINGBRIGHT

Recent adventures. Everything that needs hands on is within arms reach.

Eowave Lo-Fi ribbon synth

Into mixer
The Persephone Analogue Ribbon synth
Grendel Drone Commander
Moog Minataur
Studio Electronics Boomstar 4075
Casio > OhnoHo Utter Stutter...in the feedback loop, Zvex Wah Probe > ehx Graphic Equalizer > ehx Bass Micro Synth > Zvex Fuzz Probe > EaR ad4096, out of the loop.... > Zvex Lo-Fi loop Junky > RML Electron Fuzz Custom > 4ms Noise Swash > 4ms Phaseur Moire > Fooger 104z...w/Lightfoot Labs GoatKeeper > Dr S Cosmichorus in f/x loop

Main output from mixer into OTO Biscuit > van amps sole-mate jr > Roland Re-201 set to delay on the right channel, > knas moisturizer on the left channel.

Have Eowave set to a lo-fi glitchy sound.

Still to wire cv connections with cp-251

That's not a pedalboard!

But nice stuff

Casavettes wrote:But nice stuff

This would actually be my "pedalboard" in certain situations. I use a table top setup and sit in a chair with guitar in my lap, and expression pedals on the floor or various other pedals as well. it would be a lot less organized with alot more wires but yeah, that's how I roll.

doommeow wrote:A couple of teaser pics because I'm a dork, but an excited dork... After decades of carpetgaze, this is going to be my first real board.

Almost done. The last pedal (until I can find a superego at a price I'm willing to pay ) finally arrived today from the great white north, and tomorrow I should be receiving the last of the cables I need. (re)Wired all the power cabling this evening, cable tied, etc. I need to get some smaller screws to hold the ties in place underneath, and some felt rubber or sumthin' for the bottom edges...

Anyway, you all know that feeling - hitting refresh on the tracking info, anticipating sonic madness.... Can't wait.

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I want to see more of you.

That Persiphone is hot. If you ever want to flip it, dibs...
But seriously. I'd love to hear a demo of you playing that setup. That's right up my alley.

what i was messing around with earlier today:


SSStampede > ILFDD > Sound Shank > RRR. letting the delay go on forever and degrade while i play video games in the next room over.

Woop.

osbornkt wrote:That Persiphone is hot.

I love it so much. So expressive and so much control.

Been giving it a go at filming the basic sounds of a single fuzz pedal or two, and they distort the iphone's mic pretty easily when the gain is pushed. A big rig like this tends towards mostly a swarm of high gain oscillations interweaving and tearing apart....might take me some time to get a handle on how to capture all that mayhem with an iphone, but I'll try I figured I'll start small and go from there. Glad you like the set up, was a blast to play and record to tape. I'd start with the feedback looper and dial it in and capture that with the loop junky. Then send it onto some further gain for sonic destruction 4ms style. thickened up by some delay laden with sequenced tremolo and chorus of sorts. Almost everything else were oscillations either in harmony or atonal, mostly atonal. Then crushed to bits. Lots of fun.

watchyourscrew wrote:what i was messing around with earlier today:


SSStampede > ILFDD > Sound Shank > RRR. letting the delay go on forever and degrade while i play video games in the next room over.