this is what i've been using the past week. i think i'm pretty settled with most of this. the Whetstone is in a wildcard spot.I think i want to eventually end up with a Micro Pog or Organizer in that position... maybe a chorus.
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OddKnowledge wrote:this is what i've been using the past week. i think i'm pretty settled with most of this. the Whetstone is in a wildcard spot.I think i want to eventually end up with a Micro Pog or Organizer in that position... maybe a chorus.
Lookin good! whats you thinkin about that supa puss?
how's the tera echo? i like the way it sounds from demos but it came off as a bit of a one-trick pony. curious as to whether it can do other cool stuff.
Uncle Grandfather wrote:Lookin good! whats you thinkin about that supa puss?
I really like it! pretty much everything that i'd want from an analog delay. the modulation sounds great and i like having the tone control for the repeats. you can only get a few noticeable repeats before it becomes a wash of sound, but that's exactly what i want.
backwardsvoyager wrote:how's the tera echo? i like the way it sounds from demos but it came off as a bit of a one-trick pony. curious as to whether it can do other cool stuff.
it is a bit one dimensional regarding the ratcheting effect with a staccato attack, but it adds a cool grit and swell to chords and when stacked.
Uncle Grandfather wrote:Lookin good! whats you thinkin about that supa puss?
I really like it! pretty much everything that i'd want from an analog delay. the modulation sounds great and i like having the tone control for the repeats. you can only get a few noticeable repeats before it becomes a wash of sound, but that's exactly what i want.
that sounds like my kinda delay. can you push it into feedback oscillation?
Uncle Grandfather wrote:Lookin good! whats you thinkin about that supa puss?
I really like it! pretty much everything that i'd want from an analog delay. the modulation sounds great and i like having the tone control for the repeats. you can only get a few noticeable repeats before it becomes a wash of sound, but that's exactly what i want.
that sounds like my kinda delay. can you push it into feedback oscillation?
you can get feedback oscillation with almost no effort at all by turning up the gain on the repeats
Uncle Grandfather wrote:Lookin good! whats you thinkin about that supa puss?
I really like it! pretty much everything that i'd want from an analog delay. the modulation sounds great and i like having the tone control for the repeats. you can only get a few noticeable repeats before it becomes a wash of sound, but that's exactly what i want.
that sounds like my kinda delay. can you push it into feedback oscillation?
you can get feedback oscillation with almost no effort at all by turning up the gain on the repeats
that makes sense. i've been seeing them more and more, guess i need to check out some demo's.
ss/bs fuck > pigdog spectrafuzz > lovetone meatball w/maestro f s/h in f/x loop > ehx dmm > van amps tone-mate jr > dba fuzz war > verellen big spider > dc eau claire thunder > foxx tone machine > pps infinitphase > knaz moisturizer > lfl gatekeeper > ear ad4096 > re-201 space echo set to reverb.
lots of sounds. set the sensitivity of the meatball pretty low and am controlling the decay with the footpedal. sounds pretty awesome when the filter opens and filter sample hold starts going....into the delay and spring reverb. then a couple various fuzz sounds that stack well. put alot of control from the knas into the footpedals. next i want to get the goatkeeper and knas hooked together via cv. but then i'll pull out the foogers too and etc......
Last edited by Uncle Grandfather on Sat Dec 07, 2013 9:36 am, edited 1 time in total.
Oh my god dude. S&H in the filter loop sounds fuckin' sweet and that is a whole lot of awesome fuzz. You should switch the order of the Tone Machine and ECT, I love the shit out of that combo.
D.o.S. wrote:I'm fucking stupid and no one should operate under any other premise.
kbithecrowing wrote:I love the shit out of that combo.
The f s/h in the filter's loop is a favorite. Usually i'll put the ss/bs fuck od set to crackle behind it, in the loop. I wanted to hear how it would sound clean into an analogue delay into my new spring reverb......answer: awesome I did finally put the ss/bs fuck in the loop, only this time in front of the f s/h to boost the signal.
That's a great idea, the Foxx stack so well with everything