ilovefuzz.com

theavondon wrote:Everything I need for two bands, right here.

Dirt, Dirt, Dirt, Dirt, Dirt, Delay, Dirt, Tuner...

HEY THERE'S A FLANGER

theavondon wrote:HEY THERE'S A FLANGER

The two bands are Dirty Dirt and the Dirt Boys and Dos Ratas???

sonidero wrote:

theavondon wrote:Everything I need for two bands, right here.

Dirt, Dirt, Dirt, Dirt, Dirt, Delay, Dirt, Tuner...

that delay, is that an ilfdd or some special kind of sdd?

fishtankdork wrote:that delay, is that an ilfdd or some special kind of sdd?

That's ILLFDD's Grandpa...

thats ILFSSDDDasanMFer

tjlong wrote:

Uncle Grandfather wrote:paint by numberz

snazzy fx tracer city > snazzy mini ark > shin-ei fy-6 > pps infinitphase > skychord cloudbuster > van amps sole-mate jr > mosrite fuzzrite > dwarfcraft ect > lovetone meatball w/maestro filter sample/hold in f/x loop > koma bd101 w/zvew lofi junky in loop > 4ms noise swash > mooger lfo > mooger freqbox > mooger ringmod > mooger phaser > lfl goatkeeper > pigtronix philosophers tone > infanem analog harmony synth > mooger delay w/dwarfcraft shiva and colorsound wah in f/x loop > echoplex ep-2

stereo out

it looks like you pull apart and put together pedal setups very very often.
this looks like it would sound awesome. do you have a link to your music/band?

Yeah, the reason for all the variety in set ups...and I've also made a sizeable amount of new purchases of vintage fuzz pedals that I've also been posting about, is I'm in the midst of writing new material and coming up with new sounds for a new album. We're about to press a 7" for promo. So there has been alot of trying out new arrangements..hehehe...and recording these for future reference. The setups that are yielding amazing textures or tones, I've been sharing. Pretty much all I've been doing all day long for the last 8 months or so is recording demos of new sounds for ideas and inspiration. And now I've got a new slew of vintage fuzz tones to contend with

Then i found ILF and kindred spirits, a great place to unwind and read what other musicians are doing....also a great place to spend that time where I should be doing other productive things like leaving the house

I had decided privacy was the best option regards posting links.

Tldr, Leave UG alone and drool over the pics til he figures out how to post vids...

Just caught up with 15 pages from the past week. It's like binging on aphrodisiacs for gearlust.

louderthangod wrote:That gong just broke my brain while just thinking about the possibilities. There are certain ideas where the instant you hear about them you know they just broke through a level of amazing. A good volume pedal would be a must though so you can ride those dynamics. I just got a gift certificate for an hour in one of those isolation tanks...I want speakers in my tank pumping this thing being played through it in there.

The harmonics that resonate from such a gong must be legendary. Way to stimulate my imagination f'real!

Still trying to bend the space time continuum.

meatball w/lfl goatkeeper in f/x loop > philosophers tone > tracer city > mooger low pass filter > mini ark > noise swash > moog delay w/ filter s/h and van amps spring reverb in f/x loop > harmonic percolator > moog freqbox > foog ring mod > koma gate/delay w/ tone machine in loop > chamber of sounds jupiter II analog percussion synth > moof phaser > oto biscuit > stereo outputs

moog cp-251 connecting foogers, noise swash, snazzy fx, goatkeeper, koma

Nice! I'm really curious about this one UG!
What were your findings?

I have put a few things in the trigger input of the Jupiter III and the results vary greatly.

Even with the internal sensitivity trimpot turned to the max, I would think that all the goodness plugged into it here, particularly the subtlety of the effect loops might end up being lost. It'll also make the tracking difficult for the Jupiter. To track correctly it needs cleanish sounds. I really like the BD101, but clean is not something that it can really do well. Having it just before the Jupiter in the chain would probably not help...

If I was going for a rhythmic drone of some kind (that's the only thing you can really do with the Jupiter on the floor unless you start controlling the pitch of the oscillator with the Tune knob) I would put it much earlier in the chain, or considering the incredible array of goodies you have here, I would split the signal and have it runing in parallel with my guitar sound. it's one thing you do not seem to have a lot of (splitters, blenders, mixers, etc.) It opens interesting avenues to explore too.

Glenouille wrote:good stuff

yeah, the jupiter got pulled pretty quick, wish it had an on/off switch that would bypass the signal cause out of the koma was fine in terms of triggering the jupiter....the tone machine in the loop was moot....the signal of the ring mod straight in to the jupiter was a fine trigger too but either way you're just left with the jupiter's synth signal. which i already knew was awesome going into a phase shifter. The jupiter is usually part of my synth set up, like the noise swash is going to be, and the oto biscuit is. for most performances I do use a mixer along with a table top set up where i'll sit in a chair and play guitar and have easy access to all the pedals and mixer for tweaking. what i've been posting lately is me trying out old familiar pedals with the new fuzz boxes i've been getting, trying to get at interesting new textures and tones for some new material.

I really enjoy running the drone commander on one channel, with the jupiter/tcm on another, and the flower electonics littleboy blue and jealous heart on another....the list just keeps growing and the noise just keeps getting more harmonically dense and beautiful.

this in particular was trying out about 6 different things, along with an attempt to integrate the noise swash...t sounded great but was really wasting its potential and I would rather be able to sit and tweak the knobs. its going to be awesome in the studio, i'll just put it in an aux loop and see what it can do to everything

i really like the bd-101 and am always finding interesting new sounds from it. wasn't sure about their filter/step sequencer but the more i watch videos the more potential I'm seeing. and that controller....that controller indeed.

do you have any thoughts on the controller so far?

The FT201 is the impossible result of an orgy involving the Tracer city, the MF101 and the Goatkeeper. I absolutely love it, you can build killer riffs in no time. Bass>Hog suboctaves>Wizard Fuzz>FT201 is one of my fav combos. I like it more than my BD101.

I have not yet fully tested all the functions of the RH301, it's really big and as soon as I start plugging several things I start playing away!
But so far, I can say that MIDI integration is excellent, it sends the clock to my Timefactor and Slicer and CTL-Sync spot on. CV wise it is neat too, Moogers like it and so does the Tracer City (they all told me!).
Subdivisions with their own output are greats but multiples are even more interesting with Trems or phasers. Really cool.
The only thing I need to suss out is the clock signal for Audio Sync (a la Jupiter III for instance). I have a Midi to audio converter from Touchprone but the audio is not great and I need to put it through a band-pass filter to isolate a signal that can trigger the Jupiter. I can build a small circuit that does that but that's more shit to plug and time to waste. if I can sort this last type of sync out, I can sync anything. So close...

Glenouille wrote:The FT201 is the impossible result of an orgy involving the Tracer city, the MF101 and the Goatkeeper. I absolutely love it, you can build killer riffs in no time. Bass>Hog suboctaves>Wizard Fuzz>FT201 is one of my fav combos. I like it more than my BD101.

I have not yet fully tested all the functions of the RH301, it's really big and as soon as I start plugging several things I start playing away!
But so far, I can say that MIDI integration is excellent, it sends the clock to my Timefactor and Slicer and CTL-Sync spot on. CV wise it is neat too, Moogers like it and so does the Tracer City (they all told me!).
Subdivisions with their own output are greats but multiples are even more interesting with Trems or phasers. Really cool.
The only thing I need to suss out is the clock signal for Audio Sync (a la Jupiter III for instance). I have a Midi to audio converter from Touchprone but the audio is not great and I need to put it through a band-pass filter to isolate a signal that can trigger the Jupiter. I can build a small circuit that does that but that's more shit to plug and time to waste. if I can sort this last type of sync out, I can sync anything. So close...

so have you spent some time around the moog cp-251? i don't into midi, all of my monosynths are vintage and cv only so I keep it that way with everything...when possible. Do you think the RH301 would make the cp-251 redundant?

Do you already have them in sync? Is it something that you need to do?

I don’t think it make the CP251 redundant. There is a slight overlap but they are different animals.

If you need to sync different technologies (MIDI, Din, CV/Gate, etc.), and if you want all the synced stuff to run at different subdivisions/multiples, etc. of one unique master clock, The RH-301 is the one.

If you want to control some parameters via CV with a LFO it can still do it and the LFO controls go further on the RH-301 (more wave shapes, more control over the wave shape symmetry and rate, with a max frequency going way over 50Hz) but you are limited in the numbers of pedz you can interact with in this fashion so when it comes to mixing CVs and redistributing the output to several pedals/devices or manipulating several parameters via CV, the CP251 is the one.

With multiple Foogers, it makes plenty sense to have one. With a paraphernalia of different devices and sync methods it makes sense to have a RH301. With both shitloads of Foogers and plenty of other thingies, having both the CP251 and the Koma also makes sense. Though where is the white CP-251?!