Chankgeez wrote::idk: I'd think that probably has something to do with the "through zero".
I'd also think that if a flanger has six knobs, one of 'em'd be for delay time.
Joel?
I thought 'shift' on the lower right was the manual/delay time knob? i'm certain he wouldn't skip a delay time knob, 'shift' is a less common term for it than 'manual' but i'm pretty sure it's the same thing/
I doubt it... this knob is for the modushape.
"I can't understand why people are frightened of new ideas. I'm frightened of the old ones." --John Cage
backwardsvoyager wrote:I thought 'shift' on the lower right was the manual/delay time knob? i'm certain he wouldn't skip a delay time knob, 'shift' is a less common term for it than 'manual' but i'm pretty sure it's the same thing/
Maybe? I thought the "shift" had something to do with the offset of the wave shape. (Yeah, what Syl said.)
Delay time may be a secondary function accessible via DIP switch?
sylnau wrote:I just scream... Joooooeeeeeellllllllllll. He should be here soon.
Thanks, Syl.
psychic vampire. wrote:The important take away from this thread: Taoism and Ring Modulators go together?
…...........................… Sweet dealin's: here "Now, of course, Strega is not a Minimoog… and I am not Sun Ra" - dude from MAKENOISE #GreenRinger
do you mean horizontal or vertical offset? because vertical offset of the waveshape is what a delay time knob does in this instance (the waveform represents delay time modulation so you use the 2 knobs to set the center point and width of the waveform in relation to delay time). i wouldn't think it would be horizontal offset unless there were two LFO's.
Chankgeez wrote:IDK. What exactly does the Warp/Sway/Form knob do on the other Chase Bliss pedals?
ChaseBliss wrote:Warped Vinyl: WARP: This controls the center point of the modulation. Crank it to counterclockwise, the wave is going to ramp up quickly and ramp down gradually. If you crank it clockwise, the wave will ramp up gradually and ramp down quickly. If this knob is straight up and down at 12:00 it will give a perfectly symmetric wave.
Wombtone: FORM: This controls the center point of the modulation. Crank it to counterclockwise, the wave is going to ramp up quickly and ramp down gradually. If you crank it clockwise, the wave will ramp up gradually and ramp down quickly. If this knob is straight up and down at 12:00 it will give a perfectly symmetric wave.
Gravitas: SWAY: This controls the center point of the modulation. Crank it to counterclockwise, the wave is going to ramp up quickly and ramp down gradually. If you crank it clockwise, the wave will ramp up gradually and ramp down quickly. If this knob is straight up and down at 12:00 it will give a perfectly symmetric wave.
So, I'm sensing a trend here.
SHIFT: This controls the center point of the modulation. Crank it to counterclockwise, the wave is going to ramp up quickly and ramp down gradually. If you crank it clockwise, the wave will ramp up gradually and ramp down quickly. If this knob is straight up and down at 12:00 it will give a perfectly symmetric wave???
psychic vampire. wrote:The important take away from this thread: Taoism and Ring Modulators go together?
…...........................… Sweet dealin's: here "Now, of course, Strega is not a Minimoog… and I am not Sun Ra" - dude from MAKENOISE #GreenRinger
sylnau wrote:I just scream... Joooooeeeeeellllllllllll. He should be here soon.
Well hello there. In a "through zero" flanger, there are two delay lines necessary to achieve the context where through zero flanging occurs. One of those is controlled by the modushape LFO, as you would expect. The other delay line is controlled by the "Zero" knob there in the top/middle. So that can act as a "manual" knob *OR* if you modulate or ramp that knob... you have two modulated delay lines providing pseudo random through zero flanging. As expected, it sounds insane and awesome.
With the right settings and momentary mode engaged, can it do a 'manual' flange, like the as-of-yet-unreleased Cbread Zero Point? This would be very neat.
sylnau wrote:I just scream... Joooooeeeeeellllllllllll. He should be here soon.
Well hello there. In a "through zero" flanger, there are two delay lines necessary to achieve the context where through zero flanging occurs. One of those is controlled by the modushape LFO, as you would expect. The other delay line is controlled by the "Zero" knob there in the top/middle. So that can act as a "manual" knob *OR* if you modulate or ramp that knob... you have two modulated delay lines providing pseudo random through zero flanging. As expected, it sounds insane and awesome.
chaseblissaudio wrote: Well hello there. In a "through zero" flanger, there are two delay lines necessary to achieve the context where through zero flanging occurs. One of those is controlled by the modushape LFO, as you would expect. The other delay line is controlled by the "Zero" knob there in the top/middle. So that can act as a "manual" knob *OR* if you modulate or ramp that knob... you have two modulated delay lines providing pseudo random through zero flanging. As expected, it sounds insane and awesome.
Ah, very interesting, Joel, thank you. Just what I wanted to hear.
psychic vampire. wrote:The important take away from this thread: Taoism and Ring Modulators go together?
…...........................… Sweet dealin's: here "Now, of course, Strega is not a Minimoog… and I am not Sun Ra" - dude from MAKENOISE #GreenRinger