Will do! It's funny cause I've never even really had a flanger other than the BitQuest, but I figured there were so many sounds in that box that I couldn't pass it up. The Harmonic mode is what I'd been using the Goodbye 24 for, and what I had set my Count to 5 to as well, so that's cool. And the regular delay sounds awesome as well
Just picked these Dimarzio Super Clean Humbuckers up. These are going to go into my SmartWood Studio LP. Gotta get rid of these 490/498 pair. I don't know a ton about them. Apparently Chrome with suns on them were custom wound by Larry Dimarzio in the 70's and 80's. Mostly trying to figure out if I am going to wire them up standard or with coil tap/phase reversals, etc…they come with 4 leads. Leaning towards simple at the moment.
Chankgeez wrote:
We should have a game show à la Name That Tune
Inconuucl: I can shoegaze that tune with 5 pedals.
other contestant: I can shoegaze that tune with 4 pedals.
Inconuucl: I can shoegaze that tune with 3 pedals.
other contestant: OK, shoegaze that tune!
Inconuucl:
Uncle Grandfather wrote:NNNNNNNNnnnnnnnnn Infanem 141g fuzz finally get a chance to play with it today
Do you love it?
Still havn't hooked it up yet
What do you think of the Mutant Fuzz? I'm really diggin the Mercy Phuk! I've only used it with big muff variants so far but love the extra color it adds when its before, and the extra textures it adds when its following. Looking forward to trying it out with my vintage fuzz armada. I'm not a big fan of overdrives in general but think i'll get some some good use out of this one, at least where i want to add some distortion.
I like the mutant a lot! It does get similar tones to how my TAFM is set, so it might get bumped off if I need room for something. Low tone mode is awesome. I love how angry buzzy it is.
neonblack wrote:I like the mutant a lot! It does get similar tones to how my TAFM is set, so it might get bumped off if I need room for something. Low tone mode is awesome. I love how angry buzzy it is.
That's cool, i'm just getting familiar with my TAFM v2, and finding its best suited for baritone/bass VI moreso than guitar for me. Still havn't found any fuzz face tones in it though, its damn versatile so i wouldn't be surprised I thought it was sort of based on the big muff? i'm not 50% certain on that though. I wonder what the circuit was based on, i love it regardless.