WTF happened in here? im gone for 24 mutherfucking hours and all the sudden were jazz snobs, purse thowers, bossk has another whut amp is bast question and were talking about anal. . . .
bossk, bro, sweetpea, honey boo.
1 thing youre missing, that im surprised no one has brought up yet, is
ANY 100 watt amp will doom
with the right cabs a good set of cabs will make a fucking 100 watt SS 80s randall fucking doom is balls out, don't believe me? sign the fuck off ILF, go on CL and snag an 80s century 200 for 80$ and a peavey 2x15 for 150$ and call me when you find your dick, cause its gonna get stomped in the dirt by that set up.
a shitty cab will make all the dunwiches, hiwatts, model Ts, NMV marshalls, and matamps and electrics sound LIKE SHIT.
I saw you have an oversized 412, don't take this as mocking or talking shit, but that's a good start for doom. MAYBE add a 2x15 (or 2) to the setup.
OR keep the bugera / OS 4x12 and seek out a 70s SS bass rig with 215s (PEEBY KVLT) I personally LOVE mixing 1 tight amp (2203) with one loose ass (

) amp. they compliment each other perfectly / and EQd right will sound HUGE.
2 amps 2 cabs will sound bigger, thicker and fuller then any 1 amp 1 cab, everyday of the week and, like anal, twice on fuckin sunday.
OR seek out 1 of my personal favorite doom amps that I have personally owned or played for these reasons:
marshall superbass:100 watts benched clean, classic CLASSIC amp, resale value is incredibly high, and with the 4 inputs / twin volumes (one bright one dark) theyre VERY VERY good at getting that perfect fuzz to sound JUST right.
2203: loud as fuck, loud as fuck, did I mention loud as fuck? my 2203 is MILES louder then ANY other amp ive ever heard (V4 ad140 ad200 wizard (not dunwich) classic ) the low input is PERFECT for a pedal platform amp and the "high" input is perfect for rock and roll. with the correct overdrive they can get NASTY SLUDGEY, also its a CLASSIC amp and like a superbass you will NEVER LOOSE MONEY ON THEM IF SOLD IN WORKING CONDITION.
NMV ampeg V4: loud as fuck, haunting reverb, and the 3 way switches on the EQ controls make it another GREAT amp for getting that fuzz to sound JUST right. downside? not a "normal" 6l6 12ax7 amp. they have an assortment of tubes and they NEED NOS tubes to sound correct.
why not a model t?
I remember passing on those amps for 600$ ill be fucking ~DAMNED if im going to spend 2k on one now just cause theyre cool, and to be honest, I like superbasses more and theyre not silverspoon kid's golden amp.
so TL:DR?
fucking scroll up and try again, my post is gold.