Board for my heavy band where I use both a guitar and bass amp. The signal chain splits at the second POG and the effect out there goes to the Darkglass B7K and out to a Mesa M6 bass head/cab. The direct out signal from the second POG goes to the Boost EQ > Retro Sky delay > HOF reverb chain and out to a Splawn head. The music is like a more chaotic Converge with a girl screamer.
So what happens if you turn on both uPOGs at the same time?
The sea, once it casts its spell, holds one in its net of wonder forever. - Jacques Cousteau
Good dealings with: Vrom, Conky Yamaha / Gallien-Krueger / Pedals
PumpkinPieces wrote:Can't believe I forgot to post my new MUDWEST pedalboard here.
Polytune, Phase Modulator, Devi Ever Neverdrive, DOD Hard Rock Distortion, Supercollider, DMM, Digiverb set to gated, and Hardwire Supernatural set to shine. Finally a board without a pre-amp, haha. I can go into any clean amp now and get the same sounds.
Board for my heavy band where I use both a guitar and bass amp. The signal chain splits at the second POG and the effect out there goes to the Darkglass B7K and out to a Mesa M6 bass head/cab. The direct out signal from the second POG goes to the Boost EQ > Retro Sky delay > HOF reverb chain and out to a Splawn head. The music is like a more chaotic Converge with a girl screamer.
So what happens if you turn on both uPOGs at the same time?
I only do that once in our set currently and its for a high single note part. So the guitar amp sees that high part direct, an octave up, and an octave down, and the bass rig sees all those signals one octave below what the guitar amp sees. In action it means the direct signal gets dropped two octaves and that's what comes out of the bass rig most prominently.
PumpkinPieces wrote:Can't believe I forgot to post my new MUDWEST pedalboard here.
Polytune, Phase Modulator, Devi Ever Neverdrive, DOD Hard Rock Distortion, Supercollider, DMM, Digiverb set to gated, and Hardwire Supernatural set to shine. Finally a board without a pre-amp, haha. I can go into any clean amp now and get the same sounds.
Wow, a DOD hard rock distortion. That was the first pedal I ever owned. I have never seen one on a board before. I am shocked.
PumpkinPieces wrote:Can't believe I forgot to post my new MUDWEST pedalboard here.
Polytune, Phase Modulator, Devi Ever Neverdrive, DOD Hard Rock Distortion, Supercollider, DMM, Digiverb set to gated, and Hardwire Supernatural set to shine. Finally a board without a pre-amp, haha. I can go into any clean amp now and get the same sounds.
amnesiac305 wrote:Wow, a DOD hard rock distortion. That was the first pedal I ever owned. I have never seen one on a board before. I am shocked.
Someone traded it in at my work, I tried it out and was pleasantly surprised. I decided to get it for a number of reasons. One, it is only thirty bucks. I tweaked the internal trim pots for the delay to go from double tracking to oscillating pitch grinding repeats. I really like the presence knob and how it filters the gain.
tuffteef wrote:
PumpkinPieces wrote:
my my hasnt your taste changed these days
you used to be the e13 crack dealer
It took awhile to to find the right pedals to use in a band context that capture the same energy as the recordings. Don't worry I still have the E13 crack.
mr. sound boy king wrote:
Organic apples are not normal, they are special, like analog, whereas normal apples, like digital, taste sterile and lack warmth.
PumpkinPieces wrote:A number of reasons. One, it is only thirty bucks. I tweaked the internal trim pots for the delay to go from double tracking to oscillating pitch grinding repeats. I really like the presence knob and how it filters the gain.
bob the r0bot wrote:how you liking the octane Ragged?
Dig it soooooo fuckin much man Bassist in my band has used one since forever and he used to lend it to our old guitar player for shows and I was always a huge fan of those tones. Picked this one up on eBay for a great price and I'm absolutely loving it so far. Basically it fucking rips.
The tone control is a mid scoop and to me sounds like that Superfuzz mid scoop sound to the right and a Shin Ei FY2 to the left.
mr. sound boy king wrote:
Organic apples are not normal, they are special, like analog, whereas normal apples, like digital, taste sterile and lack warmth.
hbombgraphics wrote:can we get some routing details, what is running through the superego?
Nothing crazy going into the super ego. Admittedly, I'm a one trick pony with that pedal. Though, for our upcoming studio session, I'll be running the möbius and timeline through it.
My (current) Chain starts with polytune>Soul preacher>rook>white light>Super ego>hoof reaper>infinity>algal bloom>Ernie ball vpjr>Ernie ball wah>organizer>Möbius>ps3>disaster transport>dmm>(in the mail) timeline (was previously a dl4)>(stereo out) to 74 twin reverb and 74 quad reverb.
Lola wrote: Many changes HorsSujet since the last time I paid attention to your pedalboard ! Did it become lighter ?
Nope ! Hahaha, and it never will... (hm hm)
PumpkinPieces wrote:Man, I haven't seen a Mr. Echo in years. From what I remember they had the darkest and warmest repeats I had heard. I wish mine didn't stop working.
I wish mine won't have any problems. I just sent them a message (since I discovered they had a facebook...) to thank them after all those years of loyalty. And YEAH, they freaking have a warm and deeply dark analog-sounding delay. I'm just not bored of the slam button yet. Haha.
Bassist in my band has used one since forever and he used to lend it to our old guitar player for shows and I was always a huge fan of those tones. Picked this one up on eBay for a great price and I'm absolutely loving it so far. Basically it fucking rips. 
