Glenouille wrote:An afternoon of fun with NA>Warped Vinyl (the other devices keep them in sync - basically all the yellow cables are for the sync signal):
Glenouille wrote:An afternoon of fun with NA>Warped Vinyl (the other devices keep them in sync - basically all the yellow cables are for the sync signal):
Eyegasm.jpg
Damn! Have you gotten any closer to completing your super-synced master rig?
Yes and no! I could have everything in sync right now if I had more cables (Especially MIDI and TRS ones that do not measure 10 metres!) but syncing everything was just a mean to an end (sometimes maybe even more conceptual than musical)
On top of grabbing more cables, I need to build quite a few pedals that are going to control this stuff. The idea was always to use subdivisions or multiples of the main tempo to control other effects, not just modulating some features, but controlling when these effects start and stop. Like a drone pedalboard but not so much in the sense of playing a continuous note or cluster and letting it evolve, more like an autonomous UAV. I want to be playing something on my instrument(s) whilst the pedalboard "accompanies" me with a minimal amount of triggering like some kind of virtual bandmate.
It's diificult to explain and can sound silly to some but I enjoy building it as much as creating music with it. I will have to do some vids!
Cornballer (Tonebender 1.5 w/mismatched oc72/76) is the new addition and audition. Compared to my other fav 2 transistor dirtboxes...the overlap is surprisingly minimal. And it's so angry...yet gets along with my other favorites
Glenouille wrote:Yes and no! I could have everything in sync right now if I had more cables (Especially MIDI and TRS ones that do not measure 10 metres!) but syncing everything was just a mean to an end (sometimes maybe even more conceptual than musical)
On top of grabbing more cables, I need to build quite a few pedals that are going to control this stuff. The idea was always to use subdivisions or multiples of the main tempo to control other effects, not just modulating some features, but controlling when these effects start and stop. Like a drone pedalboard but not so much in the sense of playing a continuous note or cluster and letting it evolve, more like an autonomous UAV. I want to be playing something on my instrument(s) whilst the pedalboard "accompanies" me with a minimal amount of triggering like some kind of virtual bandmate.
It's diificult to explain and can sound silly to some but I enjoy building it as much as creating music with it. I will have to do some vids!
You're... you're crazy, man. I like you, but you're crazy.
Gone Fission wrote: ↑Thu Oct 24, 2024 2:21 pm
That’s quarter-assed at best.
Glenouille wrote:Yes and no! I could have everything in sync right now if I had more cables (Especially MIDI and TRS ones that do not measure 10 metres!) but syncing everything was just a mean to an end (sometimes maybe even more conceptual than musical)
On top of grabbing more cables, I need to build quite a few pedals that are going to control this stuff. The idea was always to use subdivisions or multiples of the main tempo to control other effects, not just modulating some features, but controlling when these effects start and stop. Like a drone pedalboard but not so much in the sense of playing a continuous note or cluster and letting it evolve, more like an autonomous UAV. I want to be playing something on my instrument(s) whilst the pedalboard "accompanies" me with a minimal amount of triggering like some kind of virtual bandmate.
It's diificult to explain and can sound silly to some but I enjoy building it as much as creating music with it. I will have to do some vids!
That makes sense to me, and your end goal's awesome I'd probably try to do something similar if I used more time-based effects.
Dronefacemcgee wrote:Racket maker. Might have to start another small board for my noise pedals since I've made of list of new pedals I NEED. Eventually going to switch out that small clone for a phaser of some sort.
Wow. This is a really nice boards. How do you like the SOMMS?
Very sick, It's great having a drone coming out of it and then being able to arpeggiate it with the Pitchgrinder.
That Dirge pedal is a turretboard Linear Power booster with dual mono outputs, one to the tuner so I can leave it on, and then one to the Holy Grail to send to the rest of the chain
Glenouille wrote:Yes and no! I could have everything in sync right now if I had more cables (Especially MIDI and TRS ones that do not measure 10 metres!) but syncing everything was just a mean to an end (sometimes maybe even more conceptual than musical)
On top of grabbing more cables, I need to build quite a few pedals that are going to control this stuff. The idea was always to use subdivisions or multiples of the main tempo to control other effects, not just modulating some features, but controlling when these effects start and stop. Like a drone pedalboard but not so much in the sense of playing a continuous note or cluster and letting it evolve, more like an autonomous UAV. I want to be playing something on my instrument(s) whilst the pedalboard "accompanies" me with a minimal amount of triggering like some kind of virtual bandmate.
It's diificult to explain and can sound silly to some but I enjoy building it as much as creating music with it. I will have to do some vids!
Your the kind of mad scientist I wish I was friends with. Definitely post dem vids when you have a moment.
ummohyeah wrote:Godspeed rule and no amount of tape would make their pedalboards safe from my cum.
BitchPudding wrote:
No, I'm THE bitch. The only one allowed here.