Glenouille wrote:The FT201 is the impossible result of an orgy involving the Tracer city, the MF101 and the Goatkeeper. I absolutely love it, you can build killer riffs in no time. Bass>Hog suboctaves>Wizard Fuzz>FT201 is one of my fav combos. I like it more than my BD101.
I have not yet fully tested all the functions of the RH301, it's really big and as soon as I start plugging several things I start playing away!
But so far, I can say that MIDI integration is excellent, it sends the clock to my Timefactor and Slicer and CTL-Sync spot on. CV wise it is neat too, Moogers like it and so does the Tracer City (they all told me!).
Subdivisions with their own output are greats but multiples are even more interesting with Trems or phasers. Really cool.
The only thing I need to suss out is the clock signal for Audio Sync (a la Jupiter III for instance). I have a Midi to audio converter from Touchprone but the audio is not great and I need to put it through a band-pass filter to isolate a signal that can trigger the Jupiter. I can build a small circuit that does that but that's more shit to plug and time to waste. if I can sort this last type of sync out, I can sync anything. So close...
so have you spent some time around the moog cp-251? i don't into midi, all of my monosynths are vintage and cv only so I keep it that way with everything...when possible. Do you think the RH301 would make the cp-251 redundant?