neonblack wrote:jwar wrote:I don't see the point in a delay length that long. Then again...
Think of it almost like Looping
AHHH well... then I need moar delays.

Moderator: Ghost Hip
neonblack wrote:jwar wrote:I don't see the point in a delay length that long. Then again...
Think of it almost like Looping
HighDeaf1080p wrote:So like the 20 second delay time on the Echolution? You play the foundation part, then next time it comes around, you play a melody line over it, then the next time they both come around, you play embellishment...etc.?
jwar wrote:I'm sure it can do that. It's such a vast engine, I can't imagine it wouldn't. I'll mess around on the algos and see for sure.
So from what I'm seeing the longest delay time is 2.6 seconds. So not super long, but certainly long enough for most applications. I read on the gear page someone wanting 8 seconds, which I've never seen, but maybe I'm ignorant.
The pedal oscillates when you max out the feedback or when it's about 3/4th's of the way there it can do that as well. It's pretty crazy. You can get some really strong feedback. hah.
ritz wrote:I just got a nemesis too. It is really slick, but I'm pretty sure it does not have any sound on sound or looping. It's got a standard hold but there is no overdubbing into the delay line.
The neuro app is ridiculous for making your own presets. A single preset can have diffusion and distortion and tremolo and filter sweeps and high cut and low cut. Basically anything from any of the presets can be combined into one preset.
Cody_Pole wrote:Long delays make me so happy, my el cap's super long delay time is an all time fave!!
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jwar wrote:backwardsvoyager wrote:active pickups aren't bad at all but how many boutique builders even test their pedals with active instruments? you can't really expect it to work the same as with passive pickups, there's too many variables involved.
if i went back to actives i probably wouldn't touch any analog modulation or delay and use a hi-fi rig instead. kinda defeats the purpose of having a great signal to noise ratio if you start using analog pedals, surely.
What the fuck are you talking about? LOL!
Active electronics 9/10 work just as well with analog circuits as they do with ANY other circuits. I've owned a metric fuck ton of pedals and have always played active. No issues. Repeat, no issues. I have a mixture of analog and digital, it does not matter. What matters if if the circuit can handle the extra headroom and power being pushed by the active pre. Which again, most cases it can.
Also, my signal is amazing in regards to noise ratio even with 25 pedals in line, analog, digital...again does not matter. LOL.
Almost all boutique builders are savvy enough to test their shit with actives now. There are only a handful, maybe not even that, that I can think of who do not push them that hard.
Regardless, the issue is the with the modulation being pushed more than it can handle, which means my pre is too hot or the trimmers again have been fucked with (more likely the cash). If anything, with an active bass I get more out of pedals than I do with a lifeless, dull passive.
Passive basses suck ass IMO. Now I love passive guitars. Totally different beasts.
Dark Barn wrote:
Gap on top is for the FX deFormer. Be back next month for the full monty.
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goosekevin wrote:i love your boards so much cassavettes
aholidayatthesea wrote:goosekevin wrote:i love your boards so much cassavettes
Ditto.
D.o.S. wrote:I'm fucking stupid and no one should operate under any other premise.
kbit wrote:aholidayatthesea wrote:goosekevin wrote:i love your boards so much cassavettes
Ditto.
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